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Early Winter 2013 Black Film Guide

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New films from @Spike Lee @John_Sayles @IdrisElba & @TheBestManmovie lead our early winter film guide m4s0n501

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REVIEW: Steve McQueen’s “12 Years a Slave”

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In his harrowing and brutally accurate third film @SteveMcQueen pushes the limits of how the world should remember slavery in America

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Yes! No!! Why?!? – Film Trailers in Review: Black Super Cops!

Super Dude, Super Spook, and The Super Cops

Are Super Dude, Super Spook or The Super Cops worth seeing? @MediaManWatch breaks it down for you

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INTERVIEW: Shaka King, Director of ‘Newlyweeds’ on Serendipitous Casting, Making a Real NY Film + More

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Exclusive interview with @NewlyweedsMovie director @ShakaKing718

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REVIEW: Alexandre Moors’s “Blue Caprice”

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‏@IWashington and @TdashRICH take dark yet brilliant turns in @BLUECAPRICEfilm about the infamous DC snipers.

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Fall 2013 Black Film Preview

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@BlueCapriceFilm @PromiseFilm and Two @IAMJHUD movies highlight our Fall ’13 Black Film Preview #BlackFilmWatch2013

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Yes! No!! Why?!? – Film Trailers in Review: “The Butler” and “Driving Miss Daisy”

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@ButlerMovie looks to be as problematic as Driving Miss Daisy

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REVIEW: “The Happy Sad” by Rodney Evans

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@RodneybEvans returns to feature film with ‘The Happy Sad,’ a multi-cultural search for sexual identity

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PHILLY: 2nd Blackstar Film Festival–8/1-8/4

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@blackstarfest presents 75 films including a tribute to Howard U’s Film Program, plus work by Dosunmu, Mutu, Gitonga and others

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Interview: Charlie Ahearn, Director of ‘Jamel Shabazz Street Photographer’

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Charlie Ahearn chats about his latest film, respecting artists, and kung-fu movies as art

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